ESL teacher explaining the passive voice at a whiteboard

Teaching the Passive Voice: 9 Best ESL Activities & Games

Quick Answer: Teaching the passive voice works best when you start with the “why” before the “how” — the passive is used when the action matters more than who did it (The window was broken), or when the doer is unknown or obvious. Introduce it after students are solid on tenses, drill the be + past participle pattern through transformation and information-gap tasks, and always tie every example to a real reason for choosing passive over active.

Roughly 30% of the errors I mark on intermediate writing come from one grammar point students were technically “taught” years earlier: the passive voice. They can recite be + past participle and still write The homework was did by me. The gap isn’t the rule — it’s that nobody showed them when a native speaker actually reaches for the passive. Teaching the passive voice well means fixing that gap first, then drilling the form until it’s automatic. This guide walks through the order, the nine activities that make it stick, and the mistakes to head off before they fossilize.

What Is the Passive Voice? A Quick Refresher

The passive voice flips the normal subject-verb-object order so the receiver of the action becomes the grammatical subject. The chef cooked the meal (active) becomes The meal was cooked by the chef (passive). The structure is always the same: the correct form of be plus the past participle of the main verb. The person or thing doing the action — the “agent” — either moves to the end after by, or disappears entirely.

That disappearing act is the whole point. We use the passive when the doer is unknown (My bike was stolen), unimportant (The bridge was built in 1932), obvious (The suspect was arrested), or when we deliberately want to soften blame (Mistakes were made). English also leans passive in science, news, and formal writing, where the process matters more than the person. If your students only ever meet the passive as a mechanical transformation drill, they miss all of this.

Teacher demonstrating teaching the passive voice on a classroom whiteboard

Why the Passive Voice Trips Up ESL Students

The form looks simple, so teachers underestimate it. But three things make the passive genuinely hard for learners, and knowing them changes how you sequence the lesson.

First, it depends entirely on past participles, and irregular ones are a minefield — eaten, written, taken, thrown. A student who hasn’t automated participles will build every passive sentence on sand. Second, the passive interacts with every tense, so is made, was made, has been made, 和 will be made all have to coexist. Third, and most stubbornly, many students’ first languages either handle the passive very differently or overuse it, so they either avoid it completely or drop it into sentences where English speakers never would.

The result is two opposite error patterns in the same class. Some students never use the passive and write clunky active sentences like Someone has cleaned the room when The room has been cleaned is far more natural. Others overcorrect and passivize everything, producing stiff, agentless prose. Good teaching targets both.

Teacher explaining passive voice rules to a group of adult ESL learners

The Best Order for Teaching the Passive Voice

Sequence matters more here than with almost any other structure. Teach it in this order and the pieces reinforce each other instead of piling up as confusion.

Start with the present simple passive only — Coffee is grown in Brazil, These phones are made in Vietnam. Keep the agent hidden at first so students focus on the be + participle core without the distraction of by. Once that pattern is automatic, add the past simple passive, then bring in the agent with by and immediately contrast it with sentences where the agent is deliberately dropped. Only after those are secure do you layer in the perfect and future forms, and finally modal passives (It must be finished by Friday). Rushing straight to “here are all twelve tenses in the passive” is the single most common way this lesson collapses.

Anchor every stage in meaning. Before drilling any transformation, ask the class 為什麼 the passive is the better choice for that sentence. If they can’t answer, they’re pattern-matching, not learning. This is the same principle behind game-based grammar lessons — the rule sticks when it’s attached to a reason and a real context.

ESL student practicing passive voice grammar transformations in a notebook

9 Passive Voice Activities and Games That Actually Work

Transformation worksheets have their place, but they train form without meaning. These nine activities build both, and most need zero preparation beyond a whiteboard.

1. Guess the Crime

Describe a scene using only passives: A window was broken. Money was taken. Nothing was touched upstairs. Students reconstruct what happened and who did it. Because the agent is missing, the passive becomes the natural — even necessary — grammar, and students feel 為什麼 we drop the doer.

2. How It’s Made

Bring in a simple process — chocolate, paper, a T-shirt — and have students describe each step in the present passive: The beans are roasted, then they are ground. Process description is the single most authentic use of the passive, and it maps directly onto science and technical writing they’ll actually need.

3. Famous Firsts

Give a list of inventions and discoveries. Students form past passive sentences: The telephone was invented by Bell. America was reached in 1492. It doubles as a general-knowledge quiz, which raises engagement and gives you a natural reason to use by.

ESL students working in groups on a passive voice speaking activity

4. The Museum Tour

One student plays a museum guide describing exhibits: This vase was made in the 1700s. It was discovered in Egypt. The rest ask follow-up passive questions. Roleplay forces the passive into speech, where students almost never produce it on their own.

5. Active–Passive Tennis

Split the class in two. One side calls out an active sentence, the other “returns” it in the passive as fast as possible. Speed pressure automates the transformation and turns a dull drill into a genuinely noisy, competitive game.

6. Headline Rewrite

Hand out real news headlines and have students rewrite them, switching active and passive to change the emphasis. Police arrest protester versus Protester arrested — they see, in one line, how the passive shifts the focus and even the politics of a sentence.

7. Whodunit Reports

Students write a short incident report — a spilled drink, a missing lunch — using passives to avoid naming names. It mirrors the real workplace reason the passive exists: describing what happened without pointing fingers.

Students practicing the passive voice through classroom speaking games

8. Find the Fake

Give three passive “facts,” two true and one invented (Sushi was first eaten in Norway). Students debate in the passive before voting. The debate generates repeated, meaningful passive production without a single gap-fill.

9. Process Relay

In teams, students build a process description one passive sentence at a time on the board, each person adding the next step. It rewards listening and forces them to keep the tense consistent across a whole paragraph — the exact skill worksheets never test.

How Do You Explain the Passive Voice Simply?

Skip the grammar jargon on day one. The cleanest explanation I’ve found is this: “In an active sentence, we care about who does it. In a passive sentence, we care about what happens.” Then show the same event both ways and ask the class which word the sentence is “about.” When the answer shifts from the doer to the receiver, they’ve understood the passive better than any definition would teach them.

The one visual that lands every time is the arrow. Write the active sentence and draw an arrow from subject to object. Then physically flip it — the object jumps to the front, and be + participle fills the gap. Students who “get” grammar spatially remember that flip long after they forget the terminology. Pair it with the reasons list (unknown, unimportant, obvious, formal) so form and function are never separated. The same “meaning before mechanics” approach drives good error correction too.

Young ESL learners completing a passive voice grammar task at their desks

Common Passive Voice Mistakes (and How to Fix Them)

Four errors show up in almost every class. Anticipate them and you’ll cut your marking load in half.

The most frequent is the missing or wrong participle — The cake was make instead of made. The fix is upstream: drill irregular participles to automaticity the passive lesson, not during it. Second is a dropped be verb entirely (The letter written yesterday), which signals the student is copying a pattern without parsing it — slow down and rebuild from the present simple passive.

The third is overuse. Advanced students discover the passive and suddenly every sentence is agentless and lifeless. Teach them the counter-rule: if you know who did it and it matters, use the active. The fourth is a tense mismatch, writing when the context is clearly past. A quick timeline on the board, checking the tense of be against the rest of the paragraph, clears it up fast. If your learners are still shaky on the underlying tense system, loop back through the English tenses chart before pushing further into passive forms.

Watch: A Passive Voice Lesson in Action

BBC Learning English breaks down when and why English speakers reach for the passive in under two minutes — a clean model for the “meaning first” approach and a clip you can drop straight into class.

Assessing the Passive Voice Without a Gap-Fill

A gap-fill only tells you whether a student can complete a pattern you’ve already half-built for them. It says nothing about whether they’d choose the passive on their own. Real assessment has to force that choice.

The most revealing task is a short process or incident write-up — describe how coffee is made, or file a report on a broken machine — where the passive is the natural register but nothing forces it grammatically. Students who default to clunky actives haven’t internalized the function yet. A second option is a “fix the emphasis” edit: give a paragraph and ask students to rewrite two sentences so the focus lands on the receiver rather than the doer. If they can explain 為什麼 each rewrite improves the sentence, they own the grammar. That kind of production-based check pairs naturally with the activities in this grammar games guide.

ESL student completing a passive voice writing assessment at a desk

Where to Take It Next

Once the passive is stable, the natural next step is showing students how it lives inside real writing — not as isolated sentences but as a register choice that shifts across a whole text. Pull an academic abstract and a tabloid story side by side and have them count the passives. The pattern they discover will teach them more about tone and audience than a month of drills. That’s the move that turns a grammar point into a writing skill — and it’s where the passive finally stops being a rule to memorize and becomes a tool they reach for on purpose.

來源

  1. BBC Learning English — Grammar reference and video explanations of the English passive voice.
  2. Cambridge Dictionary Grammar — Detailed rules and examples for passive voice formation across tenses.
  3. British Council LearnEnglish — Teaching resources and graded practice for passive structures.

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